Auto Tune Lil Uzi Verytyellowtickets
2021年6月14日Download here: http://gg.gg/uzjqk
Live reviews
*Is Lil Uzi Very Dead
*Lil Uzi Very Shirts
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*Juice WRLD
Juice WRLD’s performance was great and extremely fun. Had a great time when the music was on, but the speakers kept cutting out to the point where he had to pause the show. Also, the Celeste Center only had one or two doors for several thousand people to enter through so the line to get in took over an hour. Either open up more doors or open the doors earlier before the concert. Additionally, the DJ who performed for awhile before any of the main acts was decent, but no one was there to see him specifically. Kevin Gates, the opening act, did not come on till well after 10 if not 11 when the concert was supposed to start at 8. Juice WRLD himself did not come on till even later and could not even perform that long because of the sound issues. A lot of technical issues mostly attributed to the venue, but overall I had a great time when the music was actually playing. I love Juice WRLD and cannot wait to see him again!
*
I saw Juice WRLD in concert at The Strand Theatre in Providence RI on 09/14/18. Tickets were pretty cheap, seats were great and could see the whole stage. The openers were SoundCloud rappers, not known well enough to remember their names. Juice came out at about 930 and sang his popular songs at the time and the entire Goodbye and Good Riddance album . Could hear him perfectly and the crowd knew all the words. Left 3/4 way through the show because we parked 25 minutes from the building and it was already 11:57. 10/10 was a great concert and I wish I could see him again. It was my first rap concert and I was not disappointed at all. He will be missed. <3
*
Honestly not what I was expecting. I love Juice WRLD I even bought a hoodie and paid 2x the ticket price to go see his show with my girl. What I didn’t know is that it was gonna be all ages and those kids have no idea what personal space is. ’My fault’ but anyway he only performed for like 30mins dropped the Mic and left. He Didn’t even play any of his popular songs, maybe like 3 and a couple that weren’t even his. If you actually like his music don’t go to his shows cause you will be greatly disappointed. Support him from a distance. He even said during the performance to ’turn my auto tune on’ like wtf? I miss lil peep man.
*
It was a long wait to get in stood outside for an hour and half they had one door open. Got there the group on stage was there for two and half hours and there content got borning and you could tell the crowd was getting bored by the way they were being booed. Then kevin gates came on he didn’t play any of his old songs he played for like and hour then juice wrld finally showed up to the actual concert sang his songs which were amazing then the speaker blew but other then that i had an amazing time i love juice wrld and his musix
*
Awesome!!! I brought my daughter and her friend. I didn’t think I would have much in common with the age difference.. I’m 33 my daughter and friend are 13 &14years old. I had a great time. Bathrooms were readily available as well as the bar- we were ordered and served right away throughout the entire show. I would highly recommend this venue. The entire lineup was great. All ages were welcome. Though I would recommend 11&up. Not suitable for younger kids. Moshing, language, etc.
*
So, I was at the front, dead centre. Jack Bruno kicked me in the head when he dived in, I surfed killy and held up lil mosey followed by Juice’s energetic performance and also holding him and slapping him on the arm (In an encouraging manner) when he came to sing in the crowd. 10/10 the best show I’ve been to. Despite the bruises and achy muscles from the pit pushing me forward into the barrier every 5 seconds.
*
The show was really fun, it was really intense though. The openers were bad scary soundcloud rappers that keep slipping the crowd so it made everyone on top of each other. Juice voice is even better in life, he had low energy though. Not sure if it was because it was 100 degrees because we are in Arizona. But overall the concert was so much fun. Besides Ski Mask The Slump God he was so scary and bad lol.
*
Took my 14 and 16 year old daughters and their friends. We all had a blast! Juice and Ski Mask put on an excellent show! Highly recommend. The Masonic Temple in Detroit is a great place to see a show. If you get GAL (General Admission Lower Level) tickets, get to the show a bit early because it’s first come, first served seating. You don’t want to sit behind a giant pillar or the sound/lighting board.
*
I went to juice wrld twice. On September 24, 2018 and on March 25, 2019. The first concert was great! It was awesome :) I’ll never forget it. And the second one was also great! It was actually Nicki Minaj’s tour but Juice wrld was there as a opening act. I was so happy :) it was absolutely one of the best concerts I’ve ever been to :)) I’ll never forget him. LONG LIVE JUICE WRLD <3
*
My favourite concert I’ve ever been to! Juice was incredible, performed with real passion the whole time, loved it. The opening acts weren’t great however, especially Lil Jaye. He was quite rude and even threw a water bottle at a fan. He seemed upset that the crowd wasn’t very hyped, but that was due to him having limited material and being fairly unknown.
*
Opening act Kid Laori was insane, absolutely loved his performance. Remainder of the concert was good, but basic. Don’t agree with the pricing of the event, I’d been to significantly better concerts the days beforehand, and not only did they cost less, but they were so much more captivating.
Overall, Juice Wrld was good but seriously basic.
*
venue absolutely sucked because of stairs and multiple floor levels and people wouldn’t let me get down to the bottom level as i was front row and almost passed out and i went to get water and on my way back down they said i wasn’t allowed through but my sister was stuck down there alone. music and show was great though.
*
I loved the show of juice wrld he’s amazing I love his voice and his songs I never stop listening to them I’ve loved juice since start of 2018 I love everything about juice wrld. I hope juice wrld could do a tour in the uk of just him id love to see just juice wrld alone in Glasgow SSE hydro.
*
Amazing concert. Was the first concert I ever went to and Juice Wrld, Ski Mask the Slump God, and Jasiah made me want to attend more. Was truly an amazing concert experience, good energy, good people, great artists.
*
Amazing!!! Everyone was lit and we had a good time. The artists we’re great and so energetic! Love them so much ! C# wrapper example. Definitely would recommend to a friend or practically anyone thinking about going to their concert.
*
great time, show started a little late but it was worth it. Once we got in there was some dj and she wasn’t very good but it was fine. And then Blake came on then, ybn cordae, then lil mosey, then juice wrld
*
The whole lineup was amazing from Lil Mosey to YBN Cordae to Juice Wrld. Juice Wrld is just good in person as he can ever be. Dude knows how to control a crowd. A MUST GO, awesome vibes, love this dude.
Office communicator for windows 10. IP Office 10.0 & 10.1 1Q18 Service Packs - Avaya Communicator for Windows. For more information please review Technical Bulletin 213. Office Communicator has now updated to Microsoft Lync. To update to Lync or install it for the first time: First determine if you are running a 64-bit or 32-bit version of Windows. Click Start Right-click Computer Select Properties. Using Avaya Communicator for Windows on IP Office Release 10 Issue 02c December 2019. 8 ® Office®.Avaya Communicator. ®® ® ® ® ®® ® ® ® ® ® ® ® ®® ® ® ® ® Communicator.
*
Juice WRLD was an amazing performer, very energetic, could have a whole show to himself. Some issues occurred during the openers but in the end it was all worth it to see Juice for the last 40 minutes
*
Bloody Amazing show!!!!! Probably one of my favourites and i can not lie the mosh was killer nearly died but that made it even better. Would seriously recommend seeing Juice live no matter the price.
*
It was one of the best show, but songkick should give more info about the show. There weren’t any tickets in the app to buy and I didn’t know that Lil Mosey was going to perform until that same day.
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There are few constants in this precarious universe that we inhabit: the sky is blue, the grass is green, and as long as Jordan Michael Houston is still breathing, he’s going to be doing the thing he’s been doing since the early ’90s, which is turning the fuck up. The seasons change, Juicy J doesn’t. Or, as he once observed, “You say no to drugs, Juicy J can’t.” In a sense, his recent output is timeless in its inability to ever progress beyond a basic set of core tenets: loud bass, sinister piano lines, exuberant delivery, and shouting “shutdafukup” a whole lotta times. Which, by all accounts, should be the biggest detriment to any rapper over the age of 40; but with Juicy, if anything, he’s able to transcend such mortal understandings of artistry. Sure, he has exactly one flow, but he is the goddamn master of that one flow. He doesn’t chase trends, trends eventually chase him. That he’s been able to sustain a dual career as both a legendary hype man and a go-to producer for newer talent is further proof for such illustrious claims. He’s been consistent enough with his profligate image and output for long enough to have outlived the likes of bling rap, ringtone rap, and now Soundcloud rap — all of which, in some form or another, has bitten from the Three 6 Mafia sound or ethos. Much like an obstetrician who does late-term abortions as a side hustle, Juicy assisted with their gestation and let them die in his presence.
In that regard, The Hustle Continues is predicated on listeners fully understanding Juicy’s legacy up to this point. Opener “Best Group” even does a quick run-through of his greatest achievements (including being the “first n***a with a song with Katy Perry,” though Snoop Dogg has him beat by about three years) before getting into the first proper single, “Gah Damn High.” The enjoyable enough track, which has a music video where a quarantine-era strip club becomes a multi-million dollar idea (a logic only feasible in Juicy J music video), breaks tempo and switches beat mid-way through, which serves as a segue for a pointless Wiz Khalifa feature where he sounds like a bored Swae Lee with equally questionable lyrics (“If that’s your girlfriend, why she at my house?/If that’s your girl, then why my dick in her mouth?”). This moment, as seemingly inconsequential as it is on an album best defined by its inconsequential nature, is indicative of the project’s biggest recurring defect: every guest here is either clearly phoning it in, or they just simply can’t keep up with a dude twice their age. They may all be children of Juicy, but they certainly aren’t on his level of engagement. On a track meant to honor his fallen mentor Yams, A$AP Rocky instead sounds like he’s eulogizing his younger brother’s dead dog; conversely, Jay Rock brings the moxy needed on “Memphis to LA,” but is completely out of his element production-wise. The worst offender here strikes twice in the form of the biracial boy wonder Logic, who could keep up with some high energy (rapping really fast is this dude’s prime specialty), but is decidedly more interested in spitting a buncha corny nonsense about his supposed cultural ascension.
When it’s just Juicy on the mic (which is only five tracks out of 16) he’s a reliably buoyant entity; when not bogged down by undeserving mouths to feed, he serves as a counterpoint to a generation of rappers who can only get wild for short durations. Suffice it to say, he’s been doing this long enough to know how to whip these bangers out, and while he should be a little more conservative in his choices of collaborators, these are also what separate him from his peers. Would Nas or Jay-Z be willing to work with the likes of Young Dolph? Probably not — which also goes to show how much more tapped into the current cultural moment Juicy is compared to those two. He doesn’t need to work with these people, but chooses to anyway; the chances he’s going to outlive most of them in terms of relevancy is already predetermined. So while The Hustle Continues is, on the whole, only marginally better than the disappointing Rubba Band Business, it further cements the fruits of one man’s labor in comparison to other diminishing returns. One could call it a low bar to strive for, an argument to which the only appropriate response would be to kindly “shutdafukup” forever.
Writer: Paul AttardSection: What Would Meek Do?
At first glance, the collaboration between Future and Lil Uzi Vert that birthed the Pluto x Baby Pluto mixtape makes a lot of logical sense — and seems like it should be a mutually beneficial endeavor. Both of the principle rappers’ styles place as much importance on melody as they do dexterous cadences, and both favor glossy trap beats as the production of voice over which to exorcise stories of heartbreak and tribulation. Both even express the emotions of their music, more often than not, through an Auto-Tune’d croon perfectly in sync with their prickly, triple-time rhyme schemes. In the early going of Pluto x Baby Pluto, Future and Uzi match-up well, running through creative boasts about their iced-out accessories or their scores with women, with Future sounding more enthusiastic than he has on other recent projects: When he sings “I got designer all over” on the chorus of “That’s It,” his voice wails with glee like he’s rubbing that gear all over his face. There are even a few tracks, like “Marni on Me,” where the two rappers execute verses that respond to each other almost bar for bar. But as the beats turn more neon and chromatic, it’s hard to deny that Uzi steals the show; he can adapt to a Wheezy or a Zaytoven production without breaking a sweat, and even unlock a whole new persona when he’s paired with Brandon Finessin (one of the architects of his latest solo album, Eternal Atake). In contrast, while the shiny, neo-swag-rap feel of “She Never Been to Pluto” and “Bankroll” should have inspired Future to capitalize on his own strengths, his voice is more often overpowered by Uzi’s. Thus a collaboration with the great promise of chemistry instead plays as a meeting between one rapper on his way to the top and another all but accepting his role as a hanger-on.Is Lil Uzi Very Dead
Writer: Ryo MiyauchiSection: What Would Meek Do?
As young upstarts on the American noise scene of the early aughts, Magik Markers first made a name for themselves thanks to their raucous live shows and the dozens of self-released CD-R’s and cassettes they churned out each year. But as time went on, the trio’s output slowed, and their sound began to mellow as well. Abrasive free improvisation gradually gave way to more structure and more melody, following a general trajectory not unlike that of one of their obvious influences, Sonic Youth. (No surprise that the two bands went on tour together in 2004, nor that some of Magik Marker’s earlier records found a home on Thurston Moore’s Ecstatic Peace label.) And much like SY, they managed to make that turn without sacrificing the spirit that made them special in the first place.
“Surf’s Up,” the laidback jam that opens Magik Markers’ first full-length record in seven years, is a perfect example of their restraint; John Shaw’s languid bassline grooves against atonal piano improvisations, veering boldly into dissonance while never rising to the sort of cacophonous levels that typify their earlier work. Even “You Can Find Me,” the closest thing to a straightforward pop song the band has ever written, retains a sharp edge, the brittle production and Elisa Ambrogio’s imprecise guitar work augmenting an otherwise sweet melody. 2020 finds the Markers more stylistically varied than ever before, from the gorgeous balladry of “Born Dead,” to “That Dream (Shitty Beach),” a rollicking cut that sounds like a Black Sabbath outtake recorded on a 4-track, but they can’t seem to help but sound like themselves. Their most striking moment is the collage-like piece “Hymn For 2020,” which layers ghostly wails from Ambrogio over a deep drone that recalls some of the more eerie Twin Peaks cues — an ode, perhaps, to the enormity of loss that has defined the last year. Magik Markers were singular figures in the indie rock landscape of the early 2000s, and 2020 demonstrates that they’re still able to excite nearly two decades into their career.
Writer: Brendan NagleSection: Obscure Object
Credit: Carlos Ruiz
With “Die from a Broken Heart,” the second single from The Way It Feels, Maddie & Tae set a dubious record at country radio: Having the longest gap between a first chart-topping single and a second one, thanks to the lengthy span since their “Girl in a Country Song” hit No. 1. It’s not that the duo hasn’t released quality material since then — “Shut Up & Fish” should have been another No. 1, but it petered out in the mid-30s because country radio remains the very worst — but, like most women in the genre, M&T have struggled to gain consistent traction with the fickle tastes and entrenched biases of radio programmers. The Way It Feels looks to reverse that trend — even beyond “Die from a Broken Heart.” The album’s production is straight-down-the-middle, contemporary pop-country; the songs here sound like radio hits. If that means that M&T don’t have a distinctive aesthetic of their own, what does distinguish them are their terrific vocal harmony arrangements and the quality of their songwriting. “One Heart to Another” is one of the loveliest country songs released in 2020; “Friends Don’t” exposes the lie beneath the concept of the “friend zone”; and “I Don’t Need to Know” hinges on s
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Live reviews
*Is Lil Uzi Very Dead
*Lil Uzi Very Shirts
Auto Tune Evo Preset Torrent Ableton 9 Plugins Download Gl Glut.h No Such File Or Directory Dev C++ Mac Touch Bar Ableton Ableton Live 9 download free. full Dove Auto Tune Radio Ad How To Scratch On Traktor Pro 2 Precision Auto Tune Bowie 8. Lil Wayne Autotune Preset Antares Auto Tune 5 Totune 5 Free Auto-Tune plugins will run correctly on various operating systems which includes Windows, Mac OS, and Linux. The world-wide artists like Snoop Dogg, Lil Wayne, T-Pain, Kanye West, Travis Scott, Lady Gaga, Future, Lil Uzi Vert and Migos use it during live performing or recording.
*Juice WRLD
Juice WRLD’s performance was great and extremely fun. Had a great time when the music was on, but the speakers kept cutting out to the point where he had to pause the show. Also, the Celeste Center only had one or two doors for several thousand people to enter through so the line to get in took over an hour. Either open up more doors or open the doors earlier before the concert. Additionally, the DJ who performed for awhile before any of the main acts was decent, but no one was there to see him specifically. Kevin Gates, the opening act, did not come on till well after 10 if not 11 when the concert was supposed to start at 8. Juice WRLD himself did not come on till even later and could not even perform that long because of the sound issues. A lot of technical issues mostly attributed to the venue, but overall I had a great time when the music was actually playing. I love Juice WRLD and cannot wait to see him again!
*
I saw Juice WRLD in concert at The Strand Theatre in Providence RI on 09/14/18. Tickets were pretty cheap, seats were great and could see the whole stage. The openers were SoundCloud rappers, not known well enough to remember their names. Juice came out at about 930 and sang his popular songs at the time and the entire Goodbye and Good Riddance album . Could hear him perfectly and the crowd knew all the words. Left 3/4 way through the show because we parked 25 minutes from the building and it was already 11:57. 10/10 was a great concert and I wish I could see him again. It was my first rap concert and I was not disappointed at all. He will be missed. <3
*
Honestly not what I was expecting. I love Juice WRLD I even bought a hoodie and paid 2x the ticket price to go see his show with my girl. What I didn’t know is that it was gonna be all ages and those kids have no idea what personal space is. ’My fault’ but anyway he only performed for like 30mins dropped the Mic and left. He Didn’t even play any of his popular songs, maybe like 3 and a couple that weren’t even his. If you actually like his music don’t go to his shows cause you will be greatly disappointed. Support him from a distance. He even said during the performance to ’turn my auto tune on’ like wtf? I miss lil peep man.
*
It was a long wait to get in stood outside for an hour and half they had one door open. Got there the group on stage was there for two and half hours and there content got borning and you could tell the crowd was getting bored by the way they were being booed. Then kevin gates came on he didn’t play any of his old songs he played for like and hour then juice wrld finally showed up to the actual concert sang his songs which were amazing then the speaker blew but other then that i had an amazing time i love juice wrld and his musix
*
Awesome!!! I brought my daughter and her friend. I didn’t think I would have much in common with the age difference.. I’m 33 my daughter and friend are 13 &14years old. I had a great time. Bathrooms were readily available as well as the bar- we were ordered and served right away throughout the entire show. I would highly recommend this venue. The entire lineup was great. All ages were welcome. Though I would recommend 11&up. Not suitable for younger kids. Moshing, language, etc.
*
So, I was at the front, dead centre. Jack Bruno kicked me in the head when he dived in, I surfed killy and held up lil mosey followed by Juice’s energetic performance and also holding him and slapping him on the arm (In an encouraging manner) when he came to sing in the crowd. 10/10 the best show I’ve been to. Despite the bruises and achy muscles from the pit pushing me forward into the barrier every 5 seconds.
*
The show was really fun, it was really intense though. The openers were bad scary soundcloud rappers that keep slipping the crowd so it made everyone on top of each other. Juice voice is even better in life, he had low energy though. Not sure if it was because it was 100 degrees because we are in Arizona. But overall the concert was so much fun. Besides Ski Mask The Slump God he was so scary and bad lol.
*
Took my 14 and 16 year old daughters and their friends. We all had a blast! Juice and Ski Mask put on an excellent show! Highly recommend. The Masonic Temple in Detroit is a great place to see a show. If you get GAL (General Admission Lower Level) tickets, get to the show a bit early because it’s first come, first served seating. You don’t want to sit behind a giant pillar or the sound/lighting board.
*
I went to juice wrld twice. On September 24, 2018 and on March 25, 2019. The first concert was great! It was awesome :) I’ll never forget it. And the second one was also great! It was actually Nicki Minaj’s tour but Juice wrld was there as a opening act. I was so happy :) it was absolutely one of the best concerts I’ve ever been to :)) I’ll never forget him. LONG LIVE JUICE WRLD <3
*
My favourite concert I’ve ever been to! Juice was incredible, performed with real passion the whole time, loved it. The opening acts weren’t great however, especially Lil Jaye. He was quite rude and even threw a water bottle at a fan. He seemed upset that the crowd wasn’t very hyped, but that was due to him having limited material and being fairly unknown.
*
Opening act Kid Laori was insane, absolutely loved his performance. Remainder of the concert was good, but basic. Don’t agree with the pricing of the event, I’d been to significantly better concerts the days beforehand, and not only did they cost less, but they were so much more captivating.
Overall, Juice Wrld was good but seriously basic.
*
venue absolutely sucked because of stairs and multiple floor levels and people wouldn’t let me get down to the bottom level as i was front row and almost passed out and i went to get water and on my way back down they said i wasn’t allowed through but my sister was stuck down there alone. music and show was great though.
*
I loved the show of juice wrld he’s amazing I love his voice and his songs I never stop listening to them I’ve loved juice since start of 2018 I love everything about juice wrld. I hope juice wrld could do a tour in the uk of just him id love to see just juice wrld alone in Glasgow SSE hydro.
*
Amazing concert. Was the first concert I ever went to and Juice Wrld, Ski Mask the Slump God, and Jasiah made me want to attend more. Was truly an amazing concert experience, good energy, good people, great artists.
*
Amazing!!! Everyone was lit and we had a good time. The artists we’re great and so energetic! Love them so much ! C# wrapper example. Definitely would recommend to a friend or practically anyone thinking about going to their concert.
*
great time, show started a little late but it was worth it. Once we got in there was some dj and she wasn’t very good but it was fine. And then Blake came on then, ybn cordae, then lil mosey, then juice wrld
*
The whole lineup was amazing from Lil Mosey to YBN Cordae to Juice Wrld. Juice Wrld is just good in person as he can ever be. Dude knows how to control a crowd. A MUST GO, awesome vibes, love this dude.
Office communicator for windows 10. IP Office 10.0 & 10.1 1Q18 Service Packs - Avaya Communicator for Windows. For more information please review Technical Bulletin 213. Office Communicator has now updated to Microsoft Lync. To update to Lync or install it for the first time: First determine if you are running a 64-bit or 32-bit version of Windows. Click Start Right-click Computer Select Properties. Using Avaya Communicator for Windows on IP Office Release 10 Issue 02c December 2019. 8 ® Office®.Avaya Communicator. ®® ® ® ® ®® ® ® ® ® ® ® ® ®® ® ® ® ® Communicator.
*
Juice WRLD was an amazing performer, very energetic, could have a whole show to himself. Some issues occurred during the openers but in the end it was all worth it to see Juice for the last 40 minutes
*
Bloody Amazing show!!!!! Probably one of my favourites and i can not lie the mosh was killer nearly died but that made it even better. Would seriously recommend seeing Juice live no matter the price.
*
It was one of the best show, but songkick should give more info about the show. There weren’t any tickets in the app to buy and I didn’t know that Lil Mosey was going to perform until that same day.
Get the sound used by Future, Gunna, Lil Baby, Young Thug, Lil Wayne, Lil Uzi Vert and many more at a fraction of the cost from #StudioTrappin Antares Auto-Tune Live Pitch Correction Plug-in Pitch-correction Software Optimized for Realtime Live Vocal and Monophonic Instrument Applications - Mac/PC AAX Native, RTAS, VST3, AU. (2020 Update) Lil Uzi Vert Type Vocals With Auto-Tune (Waves Plug-Ins) $ 75.00. This Template includes the following plug-ins: Antares: Auto-Tune Efx, & Auto-Key.
There are few constants in this precarious universe that we inhabit: the sky is blue, the grass is green, and as long as Jordan Michael Houston is still breathing, he’s going to be doing the thing he’s been doing since the early ’90s, which is turning the fuck up. The seasons change, Juicy J doesn’t. Or, as he once observed, “You say no to drugs, Juicy J can’t.” In a sense, his recent output is timeless in its inability to ever progress beyond a basic set of core tenets: loud bass, sinister piano lines, exuberant delivery, and shouting “shutdafukup” a whole lotta times. Which, by all accounts, should be the biggest detriment to any rapper over the age of 40; but with Juicy, if anything, he’s able to transcend such mortal understandings of artistry. Sure, he has exactly one flow, but he is the goddamn master of that one flow. He doesn’t chase trends, trends eventually chase him. That he’s been able to sustain a dual career as both a legendary hype man and a go-to producer for newer talent is further proof for such illustrious claims. He’s been consistent enough with his profligate image and output for long enough to have outlived the likes of bling rap, ringtone rap, and now Soundcloud rap — all of which, in some form or another, has bitten from the Three 6 Mafia sound or ethos. Much like an obstetrician who does late-term abortions as a side hustle, Juicy assisted with their gestation and let them die in his presence.
In that regard, The Hustle Continues is predicated on listeners fully understanding Juicy’s legacy up to this point. Opener “Best Group” even does a quick run-through of his greatest achievements (including being the “first n***a with a song with Katy Perry,” though Snoop Dogg has him beat by about three years) before getting into the first proper single, “Gah Damn High.” The enjoyable enough track, which has a music video where a quarantine-era strip club becomes a multi-million dollar idea (a logic only feasible in Juicy J music video), breaks tempo and switches beat mid-way through, which serves as a segue for a pointless Wiz Khalifa feature where he sounds like a bored Swae Lee with equally questionable lyrics (“If that’s your girlfriend, why she at my house?/If that’s your girl, then why my dick in her mouth?”). This moment, as seemingly inconsequential as it is on an album best defined by its inconsequential nature, is indicative of the project’s biggest recurring defect: every guest here is either clearly phoning it in, or they just simply can’t keep up with a dude twice their age. They may all be children of Juicy, but they certainly aren’t on his level of engagement. On a track meant to honor his fallen mentor Yams, A$AP Rocky instead sounds like he’s eulogizing his younger brother’s dead dog; conversely, Jay Rock brings the moxy needed on “Memphis to LA,” but is completely out of his element production-wise. The worst offender here strikes twice in the form of the biracial boy wonder Logic, who could keep up with some high energy (rapping really fast is this dude’s prime specialty), but is decidedly more interested in spitting a buncha corny nonsense about his supposed cultural ascension.
When it’s just Juicy on the mic (which is only five tracks out of 16) he’s a reliably buoyant entity; when not bogged down by undeserving mouths to feed, he serves as a counterpoint to a generation of rappers who can only get wild for short durations. Suffice it to say, he’s been doing this long enough to know how to whip these bangers out, and while he should be a little more conservative in his choices of collaborators, these are also what separate him from his peers. Would Nas or Jay-Z be willing to work with the likes of Young Dolph? Probably not — which also goes to show how much more tapped into the current cultural moment Juicy is compared to those two. He doesn’t need to work with these people, but chooses to anyway; the chances he’s going to outlive most of them in terms of relevancy is already predetermined. So while The Hustle Continues is, on the whole, only marginally better than the disappointing Rubba Band Business, it further cements the fruits of one man’s labor in comparison to other diminishing returns. One could call it a low bar to strive for, an argument to which the only appropriate response would be to kindly “shutdafukup” forever.
Writer: Paul AttardSection: What Would Meek Do?
At first glance, the collaboration between Future and Lil Uzi Vert that birthed the Pluto x Baby Pluto mixtape makes a lot of logical sense — and seems like it should be a mutually beneficial endeavor. Both of the principle rappers’ styles place as much importance on melody as they do dexterous cadences, and both favor glossy trap beats as the production of voice over which to exorcise stories of heartbreak and tribulation. Both even express the emotions of their music, more often than not, through an Auto-Tune’d croon perfectly in sync with their prickly, triple-time rhyme schemes. In the early going of Pluto x Baby Pluto, Future and Uzi match-up well, running through creative boasts about their iced-out accessories or their scores with women, with Future sounding more enthusiastic than he has on other recent projects: When he sings “I got designer all over” on the chorus of “That’s It,” his voice wails with glee like he’s rubbing that gear all over his face. There are even a few tracks, like “Marni on Me,” where the two rappers execute verses that respond to each other almost bar for bar. But as the beats turn more neon and chromatic, it’s hard to deny that Uzi steals the show; he can adapt to a Wheezy or a Zaytoven production without breaking a sweat, and even unlock a whole new persona when he’s paired with Brandon Finessin (one of the architects of his latest solo album, Eternal Atake). In contrast, while the shiny, neo-swag-rap feel of “She Never Been to Pluto” and “Bankroll” should have inspired Future to capitalize on his own strengths, his voice is more often overpowered by Uzi’s. Thus a collaboration with the great promise of chemistry instead plays as a meeting between one rapper on his way to the top and another all but accepting his role as a hanger-on.Is Lil Uzi Very Dead
Writer: Ryo MiyauchiSection: What Would Meek Do?
As young upstarts on the American noise scene of the early aughts, Magik Markers first made a name for themselves thanks to their raucous live shows and the dozens of self-released CD-R’s and cassettes they churned out each year. But as time went on, the trio’s output slowed, and their sound began to mellow as well. Abrasive free improvisation gradually gave way to more structure and more melody, following a general trajectory not unlike that of one of their obvious influences, Sonic Youth. (No surprise that the two bands went on tour together in 2004, nor that some of Magik Marker’s earlier records found a home on Thurston Moore’s Ecstatic Peace label.) And much like SY, they managed to make that turn without sacrificing the spirit that made them special in the first place.
“Surf’s Up,” the laidback jam that opens Magik Markers’ first full-length record in seven years, is a perfect example of their restraint; John Shaw’s languid bassline grooves against atonal piano improvisations, veering boldly into dissonance while never rising to the sort of cacophonous levels that typify their earlier work. Even “You Can Find Me,” the closest thing to a straightforward pop song the band has ever written, retains a sharp edge, the brittle production and Elisa Ambrogio’s imprecise guitar work augmenting an otherwise sweet melody. 2020 finds the Markers more stylistically varied than ever before, from the gorgeous balladry of “Born Dead,” to “That Dream (Shitty Beach),” a rollicking cut that sounds like a Black Sabbath outtake recorded on a 4-track, but they can’t seem to help but sound like themselves. Their most striking moment is the collage-like piece “Hymn For 2020,” which layers ghostly wails from Ambrogio over a deep drone that recalls some of the more eerie Twin Peaks cues — an ode, perhaps, to the enormity of loss that has defined the last year. Magik Markers were singular figures in the indie rock landscape of the early 2000s, and 2020 demonstrates that they’re still able to excite nearly two decades into their career.
Writer: Brendan NagleSection: Obscure Object
Credit: Carlos Ruiz
With “Die from a Broken Heart,” the second single from The Way It Feels, Maddie & Tae set a dubious record at country radio: Having the longest gap between a first chart-topping single and a second one, thanks to the lengthy span since their “Girl in a Country Song” hit No. 1. It’s not that the duo hasn’t released quality material since then — “Shut Up & Fish” should have been another No. 1, but it petered out in the mid-30s because country radio remains the very worst — but, like most women in the genre, M&T have struggled to gain consistent traction with the fickle tastes and entrenched biases of radio programmers. The Way It Feels looks to reverse that trend — even beyond “Die from a Broken Heart.” The album’s production is straight-down-the-middle, contemporary pop-country; the songs here sound like radio hits. If that means that M&T don’t have a distinctive aesthetic of their own, what does distinguish them are their terrific vocal harmony arrangements and the quality of their songwriting. “One Heart to Another” is one of the loveliest country songs released in 2020; “Friends Don’t” exposes the lie beneath the concept of the “friend zone”; and “I Don’t Need to Know” hinges on s
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